The girls looked beautiful and innocent in
their tiaras, hair ornaments, and dangly earrings:
“something between
princesses and virgins” as Stefano Gabbana called them. But, this time, the
applause should really go to his partner. The fall collection was
about his homeland, and between
the simple-yet-elaborate lace dresses,
strict-yet-sexy Sicilian widow tailoring, and
the elaborately
embellished fur capes, you wanted to be part of it ...
Dolce & Gabbana Fall/Winter 2012/13
A little way into viewing the charming renditions of caped
priest coats, golden
ecclesiastical embroidery, allusions to altar
lace, choir-boy ruffs, and the whole religious
gorgeousness of Sicily on
Dolce & Gabbana’s
runway, a thought struck about just how
pleasurable, and rare an
experience it is to come to Italy and see a show by
Italian designers that is all about how much they love Italy.
Feminine Sophia Loren references, and so this collection was another full-on
celebration of one of the
many multilayered possibilities of Italian culture that Domenico Dolce
and Stefano Gabbana
have to play with. In this case, it’s more Domenico Dolce’s department, since
he was born in a town in the center of Sicily and, as an infant,
slept in his father’s tailoring
workshop as his parents outfitted the
local congregation for high days and holidays.
For our top bundles of Russian Sur-Broadtails,
Broadtails, SWAKARA, Afghan. Karakul-Broadtails, and Persian Lamb
contact to MAYER & CIE AG
Broadtails, SWAKARA, Afghan. Karakul-Broadtails, and Persian Lamb
contact to MAYER & CIE AG
Photo Credits/Source: © VOGUE
Photography by © Marcio Madeira/firstView
Candid by © Kevin Tachman
Fur-photography by © Andrea Janke for © MAYER & CIE AG
Fur-photography by © Andrea Janke for © MAYER & CIE AG
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